*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.
*Septimal major sixth on C = A (Ben Johnston's notation). 12:7 = 933.13 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 934.375 cents rather than 933.13. New version a M6 on 77,74 for 933.1298828125 cents rather than 933.13.
*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 52 for 762.5 cents rather than 764.92. New version a P5 on 99,84 for 764.9169921875 rather than 764.92.
Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.
I recorded myself doing scary laughing using pitch bend, delay for echo effect and noise reduction. Recorded on conexant smart audio and at2020 usb mic, processed thru audacity.
Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).
Author: Created by Hyacinth (talk) 06:56, 25 November 2010 in Sibelius.
*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 81 for 853.125 cents rather than 852.59. New version a m6 on 106,80 for 852.587890625 cents rather than 852.59.
*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 23:33, 13 December 2009 in Sibelius with midi pitch bend on 70 for 1318.75 cents rather than 1319.44. New version an P8+m2 on 28,70 for 1319.43359375 cents rather than 1319.44.
*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 47 for 346.875 cents rather than 347.41. New version a m3 on 22,79 for 347.412109375 cents rather than 347.41.
*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 58 for 781.25 cents rather than 782.49. New version a P5 on 51,90 for 782.4951171875 cents rather than 782.49.
*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 1034.375 cents rather than 1035. New version a m7 on 26,75 for 1035.009765625 cents rather than 1035.
*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 70 for 418.75 cents rather than 417.51. New version a M3 on 77,69 for 417.5048828125 rather than 417.51.
Dropping coins from hand to hand. Noise reduction, pitch bend, and 38% speed reduction used. Recorded on conexant smart audio with at2020 mic, processed on audacity.
Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.
Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.
Author: Created by Hyacinth (talk) 03:05, 4 April 2011 (UTC) using Sibelius 5.
*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 23:34, 13 December 2009 in Sibelius with quarter tone playback, midi pitch bend on 53 for 1465.625 cents rather than 1466.87. New version created in Sibelius with midi pitch bend on 51,85 for 1466.8701171875 cents rather than 1466.87 cents.
Me unwrapping a candy bar and enjoying it! effects: noise reduction, vol. Envelope, and pitch bend reduction. Recorded on conexant smart audio with at2020 mic, processed on audacity.
Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 4 different instruments.
Me pretending to be a bug exterminated. Mixed with my sray. Wav file using pitch bend, tempo and noise reduction. Recorded on conexant smart audio with at2020 usb mic and processed with audacity.
3 gal. Bucket with a sony voice recorder placed on the inside. Edited with sony sound forge, eq to get rid of the crappy voice recorder sounds and added time compress 85% of original, bend pitch and reverse on end. Also added stereo pan.
A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.
I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.
6 separate tracks of my voice/breathing with pitch bend, delay, reversed, inverted, phased, and eating potato chips for extra effect! noise reduction used. Recorded at home on conexant smart audio and at2020 usb mic, processed with audacity.
I have no idea if this is sounds real but i hope it does a little. I created this with virtual guitar program. I played with the pitch and volume. Its all free enjoy.
Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.
Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.
